Serious question.  I don’t think he does – or maybe he does and just isn’t a good show runner, as he was exceptionally good during the RTD era and great for Sherlock and Coupling (currently re-watching both).  At least he doesn’t seem to respect the show and its history.  No time for a drawn out introduction, let’s just dive into it with the sonic screwdriver.

These days the sonic screwdriver is used for everything, and I mean everything from simply unlocking a door to being able to blow up spaceships to conveniently end an episode (The Power of Three).  After doing a bit of quick research online it seems throughout the classic era the show-runners and producers didn’t want the device to basically be an easy out for script writers.  It makes sense too since every episode would just end with the Doctor pointing the screwdriver and something and saving the day.  That would get boring, and you know what, as we’ve found out recently, it does get boring and annoying.  Rarely do we see the Doctor actually thinking out a situation or using his wits, but we do get to see him run around pointing his screwdriver at apparently random things these days and automatically knowing where to go.  Furthermore, since when does the TARDIS grow sonic screwdrivers?  Any fan of the classic era will recall Romana making her own screwdriver, so at what point did Time Lords and Ladies apparently forget how to make them?  Back to using the device to encourage bad writing, I recently watched The Visitation (a fifth Doctor episode with a very good side character and a nice little historical reference ending) and the sonic screwdriver was destroyed.  Then again, the fifth Doctor barely used it, but it was nice to see they took the final (of many steps) to take it away from the show.  And then Moffat and the other writers just uses it as a magic wand to make up for poor writing.

What in the world is the deal with Strax?  Sontarans are clones for war, so what in the world happened with Strax?  I understand they have no idea if the show is to be a childish kid show or a sci-fi show for all to enjoy, but get rid of Strax (and Vastra and Jenny, but they’re a little more tolerable) and give him his own spin-off.  Fill the space left by the Sarah Jane Adventures and give these characters their own show and take them away from Doctor

Lovely and all, but excuse me, who blew it up?

Lovely and all, but excuse me, who blew it up?

Who forever.

What the frak is going on in Doctor Who anyway?  Since series 5 we have had countless threads that went nowhere.  For instance:

  • Who was making their own TARDIS?  Likely very important because it was brought up in series 5 and 6 and again, never explained.
  • What is the Silence (the religious order) and why do they want the Doctor dead?  Come on, this was a full season arc that went nowhere.
  • How did the Doctor’s and River’s timelines get reversed, literally never explained.
  • Who was Madame Kovarian, and I don’t want the excuse of just some baddie, that’s weak and we all know it.
  • Who blew up the TARDIS in series 5?  This, come on now, this is huge, who blew up the TARDIS?  Anyone, really, nobody knows?
  • How did the Doctor get out of the Pandorica?  Yes, he used his magic wand to get out the second time, but how did he get out the first time?

I know I’m missing things for the list, but I think you get my point.

Sure, it may have been a fun ride while the episodes aired, but after realizing the threads go nowhere what’s the point?  Seriously, this is the only show I know that can get away with this and have nobody criticize it.  Furthermore, with only 13 episodes a season, it’s the only show I know that has such inconsistent writing.  This is for another post, but they need new writers and a new show runner.  The show is currently so sporadic that it’s difficult to watch.  It’s like there’s no rhyme or reason to anything anymore.  Series 7 was weird because I like Clara but it didn’t matter at all which order her episodes were in because they were all rather rushed single episodes.  The Ponds in Series 7 were awful, and I still don’t understand why the Doctor blew up a ton of people in The Power of Three or why they wasted money making a completely nonsensical dinosaur episode.  All they had to do was send them to the past, that would have been cool, but no, instead we get the Doctor playing fetch with a dinosaur.

My last point is how the Doctor is written.  Moffat seems to not like it when the Doctor is serious, talks, or stands still.  It’s all running about and no talking.  I wish there was a low-key episode with the Doctor and Clara just kind of you know, talking, developing their relation.  Instead, Clara went from being scared of dead bodies (Cold War) to carrying a giant gun and commanding troops (Nightmare in Silver, what a mess that was).

Hey, at least I somehow make sense!

Hey, at least I somehow make sense!

I don’t know.  I liked Moffat during the RTD era, but maybe RTD was able to control Moffat.  Maybe we don’t need these crazy arcs, as he clearly doesn’t understand them and just says how much fun it is to write with time travel, but when it goes nowhere, it’s not fun or entertaining, it’s just a waste.  Perhaps the new Doctor will be older and not as frantic.  We need someone who can calmly analyze and respond to a situation, not someone just running around being all crazy.

Basically, the 50th will determine if Moffat deserves to stay and the Christmas episode will likely only confirm it either way.  Right now it doesn’t seem like he likes the show or maybe he doesn’t understand it or maybe it’s just too much for him to do this and Sherlock, which he’s very good at and as a writer I love his work with Coupling.  Maybe Doctor Who just isn’t his thing and as much as he likes it it just isn’t working.  There’s no shame in that, just go back to writing an episode a season, which were all very good, and maybe make more Sherlock (well, that’s just me being greedy, as three episodes a season, as great as they are, just isn’t enough).

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