Tag Archive: 12th doctor

Vikings, gods, aliens, and Maisie Williams… yeah, Doctor Who is weird. But weird is fun and interesting. “The Girl Who Died” has a much lighter tone than the previous two episodes, and it’s a nice change of pace.


Basically, the Doctor and Clara land on Earth quite some time ago and are instantly captured by vikings and are taken to the viking village. Simple and tidy setup, nothing wrong with that. The Doctor tries to show off his power and act as Odin, one of the gods the vikings pray to. Just as he’s doing this, a giant image of a man in the sky, who the villagers know as Odin, appears and he claims to be Odin and is sending his troops down to bring the best warriors of the village up to Valhalla.

So crazy it just might work. Left to right: Clara (Jenna Coleman), Doctor (Peter Capaldi), Ashildr (Maisie Williams)

So crazy it just might work. Left to right: Clara (Jenna Coleman), Doctor (Peter Capaldi), Ashildr (Maisie Williams)

Well, it goes rather poorly, as the men are killed, but Clara and Ashildr (played by Maisie Williams, best known as Arya Stark from Game of Thrones) are also brought to the ship referred to as Valhalla, but they are not killed. Ashildr, much like Arya (really, if you know Game of Thrones, you’ll notice similarities in the two characters), declares war on the alien posing as Odin. By the way, they happen to be one of the other million deadliest alien races (seriously, is it the Daleks, Sontarans, or this new race called the Mire?).

No matter, the village has 24 hours to get ready to fight the most fearsome beings in the universe. Easy, right? Maybe, that is, if the village’s soldiers weren’t just killed off.

This is where the tone changes compared to the rest of the series 9 so far. We get a series of funny scenes of the Doctor trying to train the villagers how to fight. It seems getting normal townspeople to use swords is harder than you may think. These scenes are a welcome change to the more dramatic nature of the past four episodes.

Admittedly, I do think the episode starts to fall towards a little more silly territory, but then ties it all in with a couple serious scenes to balance the tone. We are given a nice scene between the Doctor and Clara the night before the battle is to begin. The two of them seem more like friends this year and don’t have the awkwardness that sometimes came up last year.

As with Doctor Who, all ends well in the end, and I won’t give any of that away, but it is somewhat anti-climactic. But that’s not important (though, it does hilariously use The Benny Hill Show’s theme tune). What is important is the Doctor remembering why he chose his face, which has been hinted at since his first episode. He chose it to remind himself to always save someone and to not just give up. In this case it is Ashildr, who was integral to securing their victory over the Mire, even if it cost her life.

The Doctor doesn't look overly intimidated by his new enemy

The Doctor doesn’t look overly intimidated by his new enemy

This is where the episode becomes important and more than just a standalone story. The Mire have technology to revive them during battle, and the Doctor took it from them once they were defeated (two tablets to be exact). He revives Ashildr with one, and while she lives she too cannot die (Captain Jack says hello). At this point, only the Doctor knows this and it sets up the story for next week’s The Woman Who Lived.

Before that, I would like to note this episode, despite its silliness does something welcoming for a story in a Steven Moffat led series: establishes the background and develops a new character who will likely show up throughout series 9. Ashildr has a well established character. She’s loyal to her village and its people. Not only is she loyal, but she likes the people and isn’t just loyal because she has to be. However, now we get to see how she develops as the people around her die and she continues to live forever. Unlike the Doctor she can only run so far. These are things we may find out in The Woman Who Lived, and I hope we do. River Song was Moffat’s big character, but her development, well, never really developed and she just ended up showing up to say “hello sweetie” and “spoilers.” Boring, very, very boring. Now we have a character who isn’t annoyingly in love with the Doctor, and instead has to cope with going through the decades, seeing the world change, and having to be an observer, never really there.

I’m excited for the rest of series 9 and am really interested in seeing where The Woman Who Lived takes us. Until then, here’s the trailer:


Doctor Who: Under the Lake Review

After the fantastic story to open series 9 of Doctor Who, I had my doubts about a base-under-siege story as a followup. However, after watching “Under the Lake,” I can safely say my concerns were not needed and that series 9 continues its mark of excellence.


Typically, these sort of stories result in a lot of running around and a somewhat rushed ending and they usually get kind of

Doing some sort of stuff

Doing some investigative stuff

boring. I can’t say what the end result is since this is a two part story, but I can say the cliffhanger has me wanting more.

Basically, the Doctor and Clara end up in an underwater base located in the midst of a flooded town in the not-so-distant future. Here’s the catch (so punny): there are ghosts roaming the halls of the base. To make matters more interesting, there’s a spaceship they discovered in the town that they brought aboard the base, and it has some sort of writing on it that sort of subliminally conveys a message to all that have looked at it.

Here’s the mystery: where’d the ship come from, what is the writing, where is the ship’s captain, why is one of the energy cells missing from the ship, and where is the body being transported in it (suspended animation chamber or something, can’t recall exactly what it’s called)?

These are a lot of questions that normally wouldn’t be around if the episode was only 45 minutes. This is why I enjoy two part episodes. The writer is able to fully develop the story, creating little parts and details that otherwise would not be able to make the final cut.

Speaking of the writing, I love how the characters are written in this story. Naturally, there’s a crew on the base, and as some background, in the opening credits one of the dies and becomes a ghost. Instead of being hostile towards the Doctor – and in turn killing about 10 minutes of the Doctor trying to gain their trust – they basically just go with it (and a little help of the psychic paper saying he’s from UNIT helped as well). The crew isn’t yelling at each other or anything. Instead, they’re trying to figure out how to approach the situation and actually listen to what the Doctor has to say. I rather enjoy how these professionals aren’t a bunch of bumbling fools, which is something that bothers me in a lot of sci-fi when a team of supposedly intelligent scientists turn into a bunch of clueless characters existing just to be killed off, which is basically lazy writing.

Clara is arguably the best dressed teacher on any show ever

Clara is arguably the best dressed teacher on any show ever, and Rose could take some style advice from her

There is one annoying character, a businessman who is over-the-top in it for the profit, but luckily he gets killed off and becomes a ghost (not a big spoiler, you see it coming a mile away).

Perhaps my favorite character is Cass, who is deaf and has her interpreter, Lunn (the sexual tension is strong between these two). Whereas in the the pre-Moffat era, having a diverse character meant banging it over the viewer’s head until the entire planet knew there was a diverse character, Cass exists as an actual character and not as an agenda or political correctness. I don’t believe it was ever pointed out that she’s deaf. Which would make sense since the Doctor and Clara travel the universe, so if a deaf person is their biggest surprise, well, there’s an issue. And Cass ends up being the one in charge of the base, which is great in terms that it shows her disability does not define her and for all the people complaining about Moffat’s apparent (at least to some people, I don’t see it as much) lack of ability to write a female character, he has writers who can write strong female characters.

Cass and Lunn

Cass and Lunn

Also note, Lunn was not killed by the ghosts when he was cornered by them. Why is this? I think that is something we’ll have to wait to find out. I don’t want to give away why he got in this position, but just remember it. This is something I like about a two part episode, they can have these mysteries all come together as things get resolved in the second part, or at least that’s the hope.

Even more interesting, the ghosts are mouthing words, which the Doctor concludes are coordinates to a building in the town. What is the significance of the building? Well, the Doctor believes they are a signal, but a signal for what?

The Doctor gets tired of not knowing why the town was flooded (well, he knows a dam broke, but what happened around that time) and all the previous mysteries noted (ah, they also found the suspended animation chamber, which is now just chilling in their main room, because why not?), so he decides to go back to the TARDIS and to when it all started. Except the ghosts get smart, and begin to lock down the base, so as they’re all running to the TARDIS, the Doctor and Clara get separated. Clara ends up with Cass and Lunn and the Doctor gets O’Donnell and Bennett (also the sexual tension, but again, enjoyably written characters).

Then, the cliffhanger: the Doctor and them fly away and Clara and her group make it back to the main room, look out the window, and see the Doctor as a ghost. Except, unlike all the other ghosts who are mouthing the same words, the Doctor is saying something different. What happens in the past that caused this? What is he saying? Just add more questions to the list.

So where are we now? The Doctor’s a ghost, adding to the total count of now four ghosts (one original, then a crew member, the business man, and now the Doctor), what’s in the suspended animation chamber, where is the missing energy cell, why did the town flood, what’s the mysterious writing on the spaceship, and who is the first ghost that didn’t die at the base?

I guess we’ll find out in part two “Before the Flood.”

Skaro, Davros, Daleks, Missy and Clara dead or alive, so much was left with last week’s cliffhanger, and rest assured, “The Witch’s Familiar” resolves everything in a pleasantly satisfying and entertaining manner. Without further delay (please excuse me posting this after “Under the Lake” aired, I will have that review up within a much more reasonable time frame) here is the review of “The Witch’s Familiar.”


Clara and Missy apparently were killed last week, or that’s what the Daleks thought. Of course they weren’t (contracts and all that good stuff dictate they live) and we now know how they are alive. Missy tells Clara of a story when the Doctor was trapped, about to be shot by a bunch of robot assassins, and in a fraction of a second, used the energy from their laser beams to teleport out of his less-than-desirable position. Similarly, Missy uses the energy from the Daleks’ laser beams to poof her and Clara (remember, their vortex manipulators are linked) out of their situation. They end up outside the city where the Doctor is and must trek back, which is mostly done off screen, so more time for the Doctor and Davros.

An old rivalry lives on

An old rivalry lives on

It’s worth noting, Missy and Clara are surprisingly great together. Or rather, I think Missy would be great with anyone. Michelle Gomez plays the part perfectly, always keeping the viewer on edge, never quite knowing which direction the character is about to go in. Unlike Steven Moffat’s previous female “equal” for the Doctor, River, Missy actually has a personality beyond saying “Hello Sweetie” and showing up to cryptically say how everything is out of order and this is the first time or this is the last time or this is somewhere in-between. I feel like there’s a whole mystery left to unravel with Missy, such as how she escaped Gallifrey, and even though we know about a lot of her past, there’s still room to explore. If it ever is explored is another topic of discussion, but for now I’d like to hope it will be explored at some point.

The majority of the story is based around the Doctor and Davros talking. Even though Davros is evil and is destined to always be evil, it was interesting to see him act with some humanity. Attempting to trick the Doctor into thinking he was going to die soon, Davros was able to play on the Doctor’s emotions, and “trick” him into using some regeneration energy to allow Davros to see one final sunrise. However, Davros anticipated this compassion, and tried to harness the Doctor’s regeneration energy (to make Dalek/Time Lord hybrids, at least it’s cooler than human Daleks and pig people), but then the Doctor countered that, and used his sonic sunglasses to do some sci-fi stuff. Little did Davros think, the regeneration energy would go through the whole city.

While Missy and Clara trek back to find the Doctor, they are in a tunnel, that’s actually a sewer, that’s actually a catacomb, where apparently the decaying Daleks are tossed down in. So the regeneration energy also went to them, and since they were pretty annoyed for being thrown away, they used the new energy to rise up and take down the city. Yeah, it was weird, but the real highlight of the story was the Doctor and Davros talking. Throughout, parallels are again drawn between the Doctor and Daleks. At one point, Davros seems to be glad Gallifrey survived, and that both he and the Doctor try their hardest to continue the existence of their people. This continues throughout the majority of the episode, and aids in further developing Peter Capaldi’s Doctor. By the way, Capaldi is absolutely fantastic in series 9 so far. It seems the writers, or at to this point, Moffat, have figured out the way he plays the character and catered the writing towards his strengths and personality.

Glasses are cool, Clara, I have sonic glasses now

Glasses are cool, Clara, I have sonic glasses now

We also get flashbacks to “Asylum of the Daleks,” with Clara once again finding herself inside a Dalek. Though, this time she is in there as a disguise and has full, telepathic control of the movement and weapons of the Dalek. This is mainly done as a plot device, in which the Doctor has to figure out if it is really Clara or an actual Dalek, at which point he threatens to kill the Dalek and Clara makes it say mercy (note, the Daleks were created by Davros, and in turn cannot say certain things, so when she wants to say it’s Clara it translates and is conveyed as “I am a Dalek”). Of course then the Doctor has to figure out why the Daleks would be able to say mercy, and realizes he made a mistake all those years ago, leaving Davros to die. Watch for yourself what happens then, but I’m sure you can guess if you have not already watched. It’s actually a really nice scene, so yes, do watch it if you have not already.

Whereas “The Magician’s Apprentice” faltered with pacing and tonal issues, “The Witch’s Familiar” doesn’t miss a beat, and keeps your eyes stuck on the screen until the final credits role. The performances from the cast are all great and for once in a long time I can say Moffat did a very good job wrapping up a story.

Here’s to hoping next week’s base-under-siege “Under the Lake” keeps the the same high quality as these two episodes did. Here is the trailer for “Under the Lake:”


Here we are, Doctor Who is back with the dramatic opening scene of “The Magician’s Apprentice.” Is it good, bad, or a little of both? I’m going with the latter, read on to find out how the 12th Doctor’s second season began.

Brace yourself, SPOILERS AHEAD.

After Clara and the Doctor told each other the truth in last year’s Christmas episode, they went their separate ways, with Clara being a schoolteacher and the Doctor doing whatever it is he does, and that leads us to the dramatic beginning of the episode, on Skaro. There’s a big war going on, and for whatever reason the troops on ground have bows and arrows and the opposing forces have early era airplanes, but ignoring that, this is a war on Skaro. So far so cool. As the previews showed, there’s a young boy here, and the Doctor pops in, as he does, and attempts to save him. Until, spoiler, he finds out it’s a young Davros. Davros, as in, creator of the Daleks, that Davros. Fast forward a bunch of years and Davros is seeking the Doctor because he all of a sudden remembers what happened all those years ago and is dying in a hospital. Worth noting, he is being sought out by Colony Sarff, a colony of snakes that create a humanoid being and is a loyal follower of Davros.

Things are looking a little bleak

Things are looking a little bleak

Cut to intro title/credits scene.

Back to the show.

For the next ten to fifteen minutes we may as well forget the Doctor is doing much of anything because it turns back into the Clara show as all of the airplanes on Earth stop and Clara is pulled out of her classroom and brought to UNIT Here she is apparently more competent than all of UNIT, including Kate Stewart, who is in charge of UNIT, but I’ll conveniently ignore that. After a few minutes of not much happening other than Clara telling Kate what to do, Missy comes back. Hold up, what, but she died, right?

Wrong. So that means there’s an explanation for how she didn’t die, right?

Wrong. Because, well, Moffat has tendency to not explain these sort of things (I’m looking at you Sherlock) and expects everyone to go with it, so fine, I’m going with it.

After some time, Missy, who didn’t turn good mind you, ends up helping Clara and UNIT find the Doctor. Key things to note, the Doctor left Missy his last will and testament in case he dies and Missy is his best friend, which we all kind of knew if you watched some of the Classic Who stories, where there were some rather fun scenes with the two characters. Sure, we don’t know how she came back, but she escapes death all the time, it’s her thing. I’m good with it because I really enjoy her character. She’s so dark and ridiculous, I always look forward to seeing what she is going to do next. She doesn’t play the role of the strictly villainous character, she actually has a dimension to her character, which I sometimes feel is lacking in characters Moffat creates. So more Missy the better.

So much sass

So much sass

Then things get a little confusing, at least for me, so forgive me if I missed anything explaining this. They look at a big map of the world that UNIT has and search for keywords to try and find where the Doctor is. Somehow Clara figures out he’s in 1138 AD, so I’m assuming the map accounts for all of history. Strange, but alright, it gets the plot going so Clara and Missy can make their way to the Doctor. And I’m not even going to begin to ask or wonder how the Doctor, who came to an “ax fight” with his electric guitar in 1138 AD (funny, but a little bit of a tone killer for this episode) also had a tank, he can’t simply drive one out of the TARDIS doors. Missy and Clara get here via a vortex manipulator (if you recall River used one). What’s more confusing is how Colony Sarff a) knew to look in 1138 AD and b) how they even got to 1138 AD. Even more confusing, and this part I just can’t look past because it makes zero sense according to the lore of the show:

Colony Sarff is presumably using a Dalek ship to go around the universe looking for the Doctor. This would mean the ship has no time travel, because the Daleks only manage to temporal shift to a random place or end up somewhere by accident (or make pig people and human Daleks). So, we are now left to wonder how Colony Sarff a) time traveled backwards and b) time traveled forward without the use of time travel (vortex manipulators only work on the person who is wearing one). And this is important, because Davros is assumed to be dying in 2015 AD (Clara is the same age as the previous season and is a schoolteacher, so it matches the timeline, which at most could only be off a couple of years). So they now need to go forward to 2015 AD. None of this is ever explained, and we are still left to assume the Daleks don’t have time travel because Missy herself said so at the end of the episode.

So Moffat, if you read this, I would appreciate some clarity.

Luckily, the rest of the episode is pretty good.

Yeah, so, that was a thing

Yeah, so, that was a thing

We end up back at the hospital where Davros is, Clara and Missy are kept in waiting as the Doctor confronts Davros, who recognizes the face the Doctor currently has, as it’s the one that he saw all those years ago during the war. This part was pretty great, as it brought in Classic Who moments and tied them all together with the current show and it brought back the drama and seriousness of the opening scene of the episode. Then the big reveal. They’re not on a medical ship as originally assumed, but rather, on Skaro. And not just Skaro, but one that has been rebuilt since the war.

In the final moments, Missy and Clara are left to perish at the hands (figuratively speaking) of the Daleks, as they then turn their attention toward blowing up the TARDIS.

All very heavy stuff and all very good. The time travel still is an issue with Moffat, but I like where this story is going. It’s big and ambitious and brings in the lore of the show. I loved the performances of the entire cast. Each character really hit their stride in this one and the closing minutes had me on the edge of my seat, waiting for more. While I enjoyed last season, it felt like it was lacking something, and even though this is only the first episode of this season, I have a feeling it’s going to provide what I was looking for.

I for one cannot wait for next Saturday (well, Sunday, I think I’ll be doing Halloween type things already on Saturday at a haunted asylum, also a good idea for a Doctor Who story), and I am fully on board for this season. Yes, there was some bad, but overall, I want to see what happens next, how will Clara and Missy be saved, how with the TARDIS be saved, how will the Doctor get out of this one? So I’ll leave you with the trailer for next week’s story, “The Witch’s Familiar.”

Peter Capaldi is finally on our screens as the 12th Doctor (or 13th or possibly 14th, counting is difficult these days) but was it worth the wait?  For the most part yes, it most definitely was.


Deep Breath is one of the better first new Doctor debut episodes (my favorite being The Eleventh Hour) and the extended running time really helps, and makes me glad we will be getting two part stories back this series.  The episode starts off with a dinosaur just because they can, but luckily it never gets out of hand like Dinosaurs on a Spaceship, and actually makes for an early character defining moment for the new Doctor and his more serious tone.  He still runs around and does crazy stuff but there are a lot of somber moments with this new Doctor.  He’s rather frightening in some parts and does not seem like the type who will put up with any sort of nonsense.  This Doctor talks as well, he’s not always running around shouting.  There’s a scene in which he is rummaging through the streets of London when he finds a mirror and uses a homeless man to talk to about his new form while trying to figure out why he subconsciously chose this new appearance.  Moffat claims the scene in which the Doctor and Clara are talking in a restaurant is a great showing of how much calmer the new Doctor is, and while it is good, I prefer the previously mentioned scene, this is a Doctor who can carry his own, he doesn’t need a companion, he just commands respect.  I still don’t have a real feel for him

He may be the 12th or the 13th or technically the 14th Doctor, but no matter, the more I watch the more I can say I can't until next week.

He may be the 12th or the 13th or technically the 14th Doctor, but no matter, the more I watch the more I can say I can’t until next week.

since first episodes are always sort of sporadic for the new Doctor but I can say I like him so far.

You may have known already but Jenny, Strax, and Vastra make a return, still with as little rhyme or reason as possible, but at least they made an appearance and should be out of the way for a while (actually, Vastra wasn’t bad this time around, the same can’t be said for the other two, but so be it).  At least having the three of them around gave the Doctor and more specifically, Clara some sense of stability as the new Doctor comes into his own.

Clara is pretty cool this time around, she seems to have grown up, which as they allude to may be a result of this new Doctor not always being there as her “boyfriend.”  He’s still going to be there for her but the bliss and flirting is in the past (or future or future past or… it’s confusing).  This new Doctor is trying to come to terms with himself and his past.  While at this point he isn’t about to go and outwardly show this (which is a little odd since he does show how vulnerable he is), he needs Clara, and he knew this, so in a surprise, emotional cameo by Matt Smith, the 11th Doctor talks to Clara about what has happened and how the 12th Doctor will need help.

Oh, yes, there’s also a new story arc, surprise surprise.  A mysterious woman going by the name of Missy shows up at the end and claims she and the Doctor are in love, because we didn’t just go through that with River.  Apparently she knows the Doctor from his past regeneration cycles, and while many seem to think we’ve seen

Right, can we just discuss how funny they're both standing, seriously, what is Jenna doing?

Right, can we just discuss how funny they’re both standing, seriously, what is Jenna doing?

this character before, I wouldn’t be surprised if Moffat pulls some convoluted story out of nowhere to explain it, but that’s for another time and I will let the rest of series 8 play itself out.  Speaking of similarities (though, more intentional this time) the main villains in this episode required human parts to repair their ship, which of course is the same as in The Girl in the Fireplace, but I suspect it may be more than that and am interested to see where it goes.

I realize I didn’t talk much about the story here but the ending is what was important (mentioned above) and really, it’s all about the Doctor here.  Matt Smith gave his final farewell (well, until another anniversary special).  Peter Capaldi is shaping up to be really great.  Clara is as great, and sassy, and bossy as ever.  Episodes may now have room to breath and talk rather than just shout and run around like mad (really an issue exclusive to most of series 7).  There’s a redesigned TARDIS control room, complete with a few of the “round things” and a cool bookshelf.  Really, I don’t have much of anything to complain about with the episode, other than a few little things and the annoyance of Jenny, Strax, and Vastra it was  a really well done story, and it was so well done I watched it twice in a row at the movie theatre last night (hence the late review).

Though, now I know what everyone felt like when the 10th Doctor left (I was one of the few who was glad to see him go) as I’m still getting over the 11th Doctor leaving (my favorite of the new Doctors).  I know I’ll be good with Capaldi, it just may take a little longer to really get into it this time, but if the writing and performances are as strong as the debut I will have no worries that Capaldi very well may be up there with my top two Doctors (Jon Pertwee and Tom Baker).

As always, here’s the trailer for next week’s Into the Dalek, check it out, seems like the Daleks may be somewhat interesting again:


The wait for the 12th Doctor is finally over, and it has been well worth waiting for.  Peter Capaldi will be stepping into the role of the Doctor next year, well we’ll probably see a bit of him at the end of this year’s Christmas special, and it

Just the man to kick off another 50 years of Doctor Who

Just the man to kick off another 50 years of Doctor Who

will be an interesting year.

Now, I really enjoy his role as Malcolm Tucker in The Thick of It, and obviously he won’t be playing that role for Doctor Who, but it does help demonstrate his range.  I have been going around the internet looking for clips of other show’s he’s been in and none have had me so astounded as his role as Randall Brown in The Hour.  I don’t really know the show, but what I do know is within a two minute clip in which he only talks for about thirty seconds he manages to bring an incredible amount of emotion that I do hope is shown in Doctor Who.  There’s a certain level of maturity about him in the clip, almost like the Doctor trying his hardest not to break down, trying to have restrain.  I love it, and because of that I’ll be placing it right here for you:

Now, how will he be with Clara?  Well, I never saw a big love story growing between the 11th Doctor and Clara, but maybe that’s either because I didn’t want one or because the writing gave little room for the character’s to grow and interact.  Despite the whys, I don’t think pairing her up with Capaldi will be a bad thing.  Just watch a Classic-Who episode and you’ll probably notice the Doctor never was all in love with a companion or vice versa.  I’m hoping they turn out being best of friends, kind of like the 4th Doctor and his companions, who remain some of the best in the show’s history (such as Sarah and Romana II).  I do wish this Doctor would never have to meet Strax, Vastra, and Jenny.

I’m all on board with Peter Capaldi being the next Doctor.  I really hope he gets back on The Late Late Show with Craig Ferguson since they both seem to be huge fans of the show.  My only concern is the writing, which has been rather on the average/weak side lately, and I suspect it is a result of a) rushing every story into a tiny episode and b) Moffat having no idea how to write a Doctor Who season arc and actually finish it and have it make sense by providing proper closure and not just waving around the Doctor’s magic wand/weapon/screwdriver.

Still, let’s not take anything away from Capaldi here.  He’s proven himself to be a very good actor (who can forget his role in Torchwood: Children of Earth?) and I’ve been wanting an older Doctor.  To me, this is a great choice, and I do hope all the fans give him a chance, as I think everyone will be pleasantly surprised come the start of series 8.

I’ll end this by saying best of luck to Peter Capaldi!


I was roaming around the internet today (will be posting links to the articles at the end) and came across some pretty awful  (and good news, jump to last paragraph) news for series 8 of Doctor Who: Strax, Vastra, and Jenny are returning.  Anyone who has read my past posts will realize my disdain towards these characters, mainly Strax.  Moffat goes on and on about how much of a fanboy he is and how he loves to honor the show’s history but then he goes and turns a race cloned for war into a bumbling fool that helps people.  This is literally never explained, he just randomly shows up in A Good Man Goes to War.

The bigger issue is his character indicates they don’t know what kind of show Doctor Who is.  In the RTD era the show relied on both drama and comedy along with likable characters to bring in viewers of all ages.  Sure, some episodes weren’t great, but for the most part episodes could be enjoyed by all.  However, with the Moffat era it’s like the show will one week go from sci-fi to irritating kids show.  It’s pretty clear Strax and the gang were meant to have spin-off series since there currently is a gap after The Sarah Jane Adventures.  The problem is, when Sarah was in Doctor Who she was likable by everyone because she was a genuinely nice character, there weren’t any gimmicks to make her appeal to kids and adults, she was a well written and well acted character that was pretty much impossible to not like.

Now with Strax, Jenny, and Vastra there’s little in terms of character development or purpose other than to fill the gaps where the writers aren’t quite sure what to do.  They are pretty one dimensional characters in an otherwise multidimensional character heavy Moffat era (I may have issue with the unanswered story arcs but I do like the characters he writes).

It is disappointing knowing the 12th Doctor won’t really be able to become his own until these characters are out of the way.  A new Doctor is kind of like a blank slate, anything is possible, and I know in the past some characters have carried over to help ease in the new Doctor, I just wish we would have less irritating characters return, but at least we get Clara, who is a joy to watch.

Good News:

While this remains really cool looking I do hope it becomes really explained

While this remains really cool looking I do hope it becomes really explained

Now we also have some potentially happy news for the end of Matt Smith’s time as the Doctor.  Word from Moffat is he will be clearing up who blew up the TARDIS and why the Silence were so keen on killing the Doctor.  This likely won’t solve everything such as why they had to do anything with River Song and putting her in an astronaut suit in a lake rather than simply shooting him and avoiding all the hassle, but it could potentially make series 5 so much more awesome than it already is (maybe even showing how the Doctor originally gets out of the Pandorica).  I actually am looking forward to this, apparently it’ll all happen during the Christmas episode, which seems to be more of an episode that just so happens to be taking place on Christmas than an actual Christmas episode.  I do hope Moffat finally is telling the truth about something, because there is much needed closure, and even if he’s writing this because enough people have complained or he intended to finish it all in series 8 if Matt Smith returned I don’t care, I just want him to follow through with it and if he manages to do so then I’ll have to rethink my opinion on the Moffat era.


Bad news link (there are some good things in here too, just this stuck out so much to me)

Good news link